Aussie Rock Legends in Uproar as Pauline Hanson’s One Nation Hijacks Iconic Anthem to Fuel Anti-Immigration Rally
- Hoodoo Gurus’ 1987 hit ‘What’s My Scene?’ blasted at March for Australia event without permission, leaving band members fuming
- Senator Pauline Hanson’s One Nation party sparks outrage by co-opting beloved Aussie rock anthem to fuel anti-immigration rally
- Band members condemn “toxic nonsense” and demand greater control over music usage at political events to prevent “misrepresentation” of their values
In a shocking and brazen move, Senator Pauline Hanson’s One Nation party has sparked outrage by hijacking a beloved Australian rock anthem to fuel their anti-immigration rally on Australia Day. Hoodoo Gurus’ 1987 hit ‘What’s My Scene?’ was blasts at the March for Australia event in Brisbane, leaving the band members horrified and fuming.
Band member Dave Faulkner was left “horrified” when he discovered their song was used to introduce Senator Hanson on stage, and quickly crafted a scathing statement condemning the move. “We were disgusted to hear that one of our songs was played by a bunch of wannabe fascists,” Faulkner wrote on social media. “Like most Australians, we have always been appalled by Pauline Hanson and the toxic nonsense she spouts.”
In a heart-wrenching revelation, Faulkner revealed that the band had never given permission for their song to be used at the rally, and were never approached by One Nation officials. “It’s my song, and it’s expressed as a personal thing for me, and it’s not to be used for their jaundiced view of the world and grubby political games,” he said.
The Hoodoo Gurus are not alone in their outrage, with many Australians expressing dismay at the co-option of their music for political gain. Faulkner believes that bands should have the right to restrict the use of their music by political causes they disagree with, saying it’s a “grey area” that needs to be addressed.
Security analysts warn that the use of music at rallies can have a profound impact on the political narrative, and that bands need to be mindful of the potential consequences of their music being used in this way. “Music has the power to sway public opinion and shape cultural identity,” said one expert. “Bands need to be aware of how their music is being used and take a stand when it’s being misused.”
In the aftermath of this incident, the Hoodoo Gurus are calling for a greater sense of accountability and respect for artists’ rights. The question remains: how can we ensure that our cultural icons are protected from political co-option, and that artists are given the respect and control they deserve over their work?